Ryleigh Wann
35mm Film
This is how you are taught to develop film: in the
makeshift darkroom of someone who collects old
things— vintage cameras, records, VHS tapes. You
swore you would never entertain a photographer again,
not since the last one, who took photos of your naked
body covered in paint, said the word goddess but then
got annoyed when you felt insecure posing. This one is
different. This one shoots the Cape Fear Bridge at
sunset, the mango sun saturating sheets in the
morning. He says these are the steps when developing in color:
rinse, developer, rinse, bleach, rinse, fixer, rinse. He hangs
them with clothespins to dry, negatives showing wide
teeth, collarbones, a brown-eyed dog with the same
name as the month you met. He explains what double
exposure means, how it shows two things at once but
never the whole picture fully and we all know the
metaphor here, sharing stories about the lover before,
leaving out some details. This is how it begins: like it
does every time, a soft smile appears, 2AM whiskey to
6AM sunrise. Soon, you will take down old polaroids
and forget the ache of a blank space on your wall or
the person in them. He tells you this is how healing
happens: the clicking flash of a moment, a hand
cradling your jaw bone, and your tongue grazing the
back of his teeth, eager to capture something.
________________________________________________________________________________________
Ryleigh Wann (she/her) hails from Michigan and currently lives in Brooklyn, NY. She writes about music for The Alternative and is a blog contributor for Sundress Publications. She was awarded an MFA in poetry from UNCW where she taught creative writing and served as the comics editor for Ecotone. Her writing can be found in The McNeese Review, Longleaf Review, Rejection Letters and elsewhere. Follow her on Twitter @wannderfullll or visit her website ryleighwann.com