Matthew McDonald
No More Doppelgängers
The friendliest games have no winners
or losers
or noise or action
so I play snap
with a quarter of the pack
only one each of numbers
ace king queen and jack.
The gameplay is essentially
dealing cards in reverse
which is
admittedly
a kind of stupid game
like entering your hometown airport
with a suitcase full of dirty clothes
and tiny bottles of bathroom products
and sprigs of croatian rosemary
and underpants coated with sand
and minuscule sea shells
with parts of the sea still swishing inside them
and receipts from restaurants you never would have found
without taking a wrong turn and which
you’ll recommend to a friend
who’ll be disappointed
by the food and brusque service
but not have the heart to tell you
and vacuum packed salami
and a detailed history
of a cathedral under construction
and a corkscrew from Hotel Bayerische Hof
and matches from a cocktail bar
where the walls are all fish tanks
and coins in discontinued currencies
and several kinds of charging devices
and a quarter of a deck of cards
and other stuff
all this only
to immediately exit the airport and take
a taxi back home, unpack and post
stock photos of bridges online.
Daily an alien
pops by to ask me
what the point of the game is
and daily I tell it
it keeps the earth from crying
like a method actor who felt
so sad on set their tears seemed too real
thereby incurring a pay cut
for shifting the script
from a work of fiction
to reality tv.
Often at parties
the only person as drunk as me
is me.
Occasionally I raise my hand to slap
a 9 as it lands on a 6.
Occasionally someone tells me
I look like someone else.
I never have the heart
to tell them
they’re wrong.
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Matthew McDonald is an Australian musician and poet living in Berlin. He is the principal double bassist of the Berliner Philharmoniker and founder/editor of the online poetry journal berlin lit (berlinlit.com). Matthew gained his MA in creative writing from the Open University.