Lawrence Di Stefano
Locking Up
First, all sensation goes,
populating
the outermost region
of sensory perception—
tired pigeons
lined across the rooftop,
watching.
Now for the choreography
of unassuming movement. I unlatch
the keys from my belt loop—hands
trembling, pulled out
to sea, already.
Then the smell
of salt.
You’re still here
—waiting
for your ride it seems
—horizontal axis running
from one far end
of the empty street
to the other.
It’s just us
and the moon—
full and bright over the water
—but who am I
to you?, I think,
but a pair of eyes
seen only from a distance.
I’m both here,
and not,
looking for the right key—
you, looking
at your phone—
skin, a rinse
of moonlight in the dark,
as I’m locking up
the doors of the restaurant
we both work at.
Body—
tidal, behind this crashing
of circumstance.
Clouds.
I know how to, I remember:
first, it’s the
deadbolt
sliding smoothly through
the strike plate—
engaged,
the sound
—these are corresponding sides
of a perfect union—
now you’re watching me,
I’m sure—
but what could I say
to you, except goodbye?
Your hair is down
in waves, wind
moving through—
and I, down on one knee,
am fastening
the padlock to the base
of the doors, now
joined together.
Everything is aligned,
in place—
this is
the moment. Testing
the integrity
of a locked door—tremors
in my reflection.
Who?
—these are not angels.
Goodbye.
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Lawrence Di Stefano is a writer and photographer. He is currently enrolled in the MFA program at San Diego State University. He likes to roller skate.