The Shore Issue 5 — Spring 2020
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Melissa Marsh The Weather Eats
Julia Bouwsma
Study in Epigenetic Memory III
Pastoral in the Antropocene
Letters were once bodies, are bodies now
Premonition
Charlie M Brown
Without Notice of Default
Aphantasia
The Price of Thread
Nicholas Samaras
Mrinalini
Directions for the Kidnapped Child at Three Years Old
Among the Red and Yellow Tulips of Boston Commons
Sarah Marquez
Shopping on Ventura
Self Measurements
Nicholas Holt
The Survivalist's Field Guide to Seducing the Mothman
Melissa Marsh First Star to the . . .
Rachel Small
we are all the laundered girls
Noah Stetzer
That Old Song
Bait & Blind
The Wall Instructs
Kathryn de Lancellotti
The Meadowlark
Molly Tenenbaum
They Find Me
Jide Badmus
Driver
Melissa Marsh From Below
Satya Dash
Ornamental Design
Wheeler Light
Kaddish
Teeth
JK Anowe
A Road’s Guide to Kill
Jennifer Saunders
Ode To My Alternate History
All I Really Need to Know I Learned from YouTube Videos (‘Pack Behavior')
David Dodd Lee
After Receiving a Bill from the Water Department That Wasn't Mine
Maxine Patroni
When I Came Back
In Winter
Ode to Gray
Stephanie Seabrooke
Object Permanence
Melissa Marsh Objects May Be Closer
Tara Ballard
On the Notion of Lentils
Ned Balbo
Passengers in Payne's Gray
Night Sky of Another Earth
Joanna White
To My Parents
Pat Hanahoe-Dosch
How My Light Is Spent
Barbara Westwood Diehl
Canyon
KG Newman
The Sunsets in Our Heads
Bryan D Price
Theogony
Kathryn Merwin
Pretender
One Night We Drove through Maryland
Melissa Marsh Nostalgia
Jenny Irish
In Texas There Are Tours of Things That Aren't There Anymore
Nicholas Molbert
On Showing You My Hometown for the First Time
Alicia Hoffman
Sempre Forte
TW Selvey
Privacy
Theresa Senato Edwards
How He Understands Motion
Melissa Marsh here, there used to be a house
Clay Matthews
Psalm [the rain lets loose]
Anna Sandy-Elrod
The Sibyl Speaks to Circe
Clifford Brooks
The Sky Is a Nightgown
Stephen Furlong
For as Long as I Could Remember
Melissa Marsh
Art